Real Modern Day Myths

Just because we make up our own new pantheon, doesn't mean the old's gone. In fact, one of the prevailing inspirations for fiction is mythology: both ancient, and modern folklore. For a single example, David Pfanner wrote a whole thesis on the modern incarnations of King Arthur: reinterpreted and rehashed in comics, movies, literature, TV, and more. Aside from the literature aspect (think: Le Morte d'Arthur, by Sir Thomas Mallory), right off the top of my head I can name a few contemporary low-culture examples. I think there was a syndicated cartoon in the '90s from when I was a child, King Arthur and the Knights of Justice. There's definitely that HBO series Merlin. And of course, the classic Monty Python and the Holy Grail

On second thought, let's not go to Camelot. It is a silly place.

But this isn't an isolated thing. Thor is a Marvel superhero, Disney's Hercules won four Annie awards in 1997, and any kid in the 2000s who was into trading card games could tell you that Yu-Gi-Oh! superficially claimed to have an ancient Egyptian theme. The integrity of the original material in all of these is patchy at best, but they stick in our imagination, anyway. They're just grounded in pre-existing narratives enough to be vaguely familiar, and therefore meaningful. No matter how much Arthurian scholars writhe at A Kid in King Arthur's Court.

He was no Connecticut Yankee, that's for sure.

I think we can look at Sherlock Holmes to see this kind of thing in action again. Sherlock Holmes is the fictional character who has been portrayed by the greatest number of actors. There's been dozens of TV shows, from Cushing to Brett, to now Cumberbach. There's been movies to suit every generation, the most recent featuring a garrulous Robert Downey Jr. There's been Japanese anime series, from Sherlock Hound, several episodes of which were directed by Hayao Miyazaki, and Case Closed, with a protagonist inspired by Doyle's tales. There's been western animation: Disney's The Great Mouse Detective, and a DIC series Sherlock Holmes in the 22nd Century. This is to say nothing of the vast library of literary Sherlockania stretching back even to before the ink was dry on half of Doyle's original serials. Star Trek was on Sherlock, too, giving us the lovely image of Lieutenant Commander Data in a deerstalker hat.

Marvelous.

I think it is safe to say that humans will repeat what they like, and things become part of our mythology because we like them.

This raises another interesting connection, however: what is the difference between these adaptations, and the much-mocked, lowly fan fiction story.

I would argue that all of these things are actually fan fiction, too. Only that money has gone into their making, that they have been published and so are accessible and therefore respectable to audiences to consume, and that Sherlock Holmes and mythological sources are in the public domain and therefore there is no issue of copyright.

But fan fiction's a post (or series of posts, or a series of series of posts!) in of itself. For now, we'll content ourselves with the fact that in several hundred years there probably will be rampant and unchecked retellings of Star Wars and Titanic. We will probably be very happy we didn't live to see them.

More about → Real Modern Day Myths

LINK: Showcase creativity, not racism, this halloween

You really shouldn't have to ask why you can't dress like a 'Gypsy,' an 'Indian' or 'a Mexican in a sombrero,' a 'tribal person,' a 'tiki person,' or wear blackface when Halloween comes around.

But here's a reminder if you do have to, or if you want to know why.

The fact that we can thoughtlessly steal and regurgitate the images of cultures and peoples until they are a generic, meaningless mush is one of our media's least beautiful legacies: cultural appropriation. The Mass Media summarizes it thus,

Look at the models wearing those costumes. They all feature people who look pretty Anglo. They are literally playing dress-up, using another culture as a costume.

“We’re paying respect to other cultures,” some may argue. No, you’re not. If you genuinely wanted to show respect to another culture, you’d do it on a day that isn’t reserved for shenanigans and soliciting treats from strangers.

Our media is dominated by white, male, heterosexual voices. This is undeniable. But it can also lead people to internalizing that white, male, heterosexual narrative as part of their mythology without even noticing. White people don't have to think about how their culture is pictured as a savage or as minstrels. Male people don't have to think about how degrading it is to be presented nothing but revealing, straight-male-gaze inducing clothing as costume options. Straight people don't have to think about how queerness is dismissed as either clownish or threatening.

But we should think about this, because do we really want our mythology to be looked back on like this? 

More about → LINK: Showcase creativity, not racism, this halloween

Feeding the Trolls: Social Media in Politics

Anyone who has ever had access to comment boxes, discussion threads, or any kind of unmoderated forum knows what trolls are. Well, maybe not everybody; the definition's been a bit muddied, but the original one is still good: someone who posts inflammatory or obviously attention-seeking opinions with the intention to incite an angered response or backlash.

A troll draws near! (But ignore it, it's probably a cry for attention)

The point being, the poster is not sincere. A troll is not a troll when they sincerely spit a bad or stupid idea and then try to defend it with 'just trolling,' that's just an ordinary bigot that also happens to be a coward.

However, in a landscape of political conflict, trolling seems to have a new stage: a paid stage. In India, there are individuals recruited to endorse a political party on social networks by attacking opposing party speech:

Arjun, who joined Twitter in 2010, started actively tweeting in June 2011 - primarily sharing his views music, sports, recent events, life and politics. His tryst with political trolls started the day he tweeted some information about the Gujarat CM Narendra Modi.

As Arjun started taking these trolls head on, he realized that his follower count was increasing dramatically. It didn't take long for some prominent political leaders to start 'following' him and engaging in chats with him. After his tweets got featured on a television debate, he was approached by the 'recruiters'. 

Their proposition was very simple. He was asked to write blogs promoting the party's agenda and policies. In return, he was promised up to Rs 10,000 or more per blog depending on the word limit. While journalists are often termed as 'paid media', concept of 'paid trolls' is still considered to be an urban myth.

It's no secret that in the USA, social media was a huge point of force in the 2012 presidential election, and yet its power is still dismissed with the fact that some people tweet pictures of their lunch. How long until the trolls are actually fed - and clothed - by real money for their efforts?

More about → Feeding the Trolls: Social Media in Politics

Link: Blaming Rape Culture on Social Media

Thinkprogress' Tara Culp-Ressler reports on the blaming of rape culture on social media. Every media major and sociology major who reads it groans (or ought to groan) in recognition and agreement:

The takeaway from these students’ comments is that it was a very bad decision to put these things on the internet. Their statements aren’t actually condemnations of the attitudes that fuel rape culture in the first place, or expressions of horror that some women at the university have likely been subjected to these “rapebait” strategies. They’re expressions of concern that the frat brother has attached his name to something that fraternities are supposed to keep behind closed doors, something that might hurt his job prospects in the future.

Blaming social ills on modern media, technology, or progress is nothing new. No, really. It is not new. It is literally one of the oldest things that people have done.

"Times are bad. Children no longer obey their parents, and everyone is writing a book." - Marcus Tullius Cicero (106-43 BC)

While it is true that social media reflects the social climate, and may be used to promote rape culture, rape culture is older than social media. It's a part of patriarchal dominance of culture and has only found a new expression, not a revival. There was no death of rape culture to begin with. It's not new.

The Irritating Gentleman, Berthold Woltze, 1874. This young woman is probably in mourning, and this man still thinks she ought to give him a smile or respond to his catcall anyway.

It's been proven that blaming violence on comic books wasn't scientific or at all supported by reality. Violence predates comic books, certainly. Sexism and a culture that endorses sexual harassment are also older than our modern media.

They might even be older than Cicero.

More about → Link: Blaming Rape Culture on Social Media

Link: Demanding Representation of Black Girl Nerds in Geek Culture

When Chaka Cumberbach asks her readers to name some black female superheroes, she mentions that the nerdiest among us might forgo Storm and remember Bumblebee, Nubia, or Misty Knight. However, for anybody less comics-savvy, those names are probably unknown.

True fact about me: When I was little, I thought Storm was the coolest of the X-men and I don't redact this at all today.

She also relates her own childhood as a black female nerd, and connects the issues. It's a fact that mass media doesn't adequately represent women of color. But what is the impact of this narrative, that your heroes don't look like you, on the people growing up listening to it?

We’re given so few characters that I’ve always felt that if I wanted more, I had to be grateful for what I’d been given and put my money where my mouth is. But I’m not going to lie –- that strategy doesn’t seem to be working. I’m getting really tired of just accepting whatever scraps are thrown our way. I’m completely over struggling to find the silver lining in an obvious token black character while on the other end of the spectrum, people who have never had to think about finding racial representation in popular culture feel justified in raising hell over color blind casting in a sea of predominately diversity starved movies -– yeah, I’m looking at you, people who acted like Rue’s casting in the Hunger Games was a personal slight but interestingly enough seemed completely OK with the damn near catastrophic white washing in "Avatar: The Last Airbender."

It's a fact that watching television reduces self esteem in children for every demographic except white males. And yet, the stereotype of a 'nerd' is a white male. Is it any wonder that many 'nerdy' or 'geeky' culture artifacts are media-based, then? Is it any mystery that these media-heavy cultures are exclusionary to women of color, when it's so difficult to like what you like without feeling awful about it, unless you're the dominant cultural demographic?

More about → Link: Demanding Representation of Black Girl Nerds in Geek Culture

Nature vs. Technology: A Harmful Theme in Advertising

Example: Orange Juice.

Evan Stewart at the Society Pages notes that there's not a single person in this commercial below.

Pictured: Fresh lies are a part of a balanced breakfast.

This is weird, because nice homogeneous orange juice in plastic bottles doesn't spontaneously materialize from fresh, on-tree ripe orange fruits. That most definitely isn't the processing plant where oranges become juice, those oranges didn't pick themselves, and upper management must really be full of itself if it thinks the entire world revolves around it.

And yet, we get a positive feeling from the commercial, anyway. Why is that? Even when it erases hundreds if not thousands of workers, many of them likely migrants, below the poverty line?

And what does this have to do with this blog?

Well, this commercial is trying to tell us a story. It's trying to show us an image of pastoral harmony, uncorrupted by the hands of man. This would be a useless image to try and sell to us if it didn't mean something to our culture. The fact that we understand this image is because it's part of a larger narrative.

The narrative of nature vs. technology, of course.

This commercial implies that it is anti-technology, anti-industry, despite being a product for consumer purchase. It implies that the opposite of this green, unpopulated orchard is some kind of mad science lab, or a concrete-and-steel wasteland, or other harmful cliche of modern industrialization. It names an 'enemy' without saying a word.

Where they make the other orange juice.

However, these oranges that grew in an orchard would not be as large, as resistant to frost or parasites, or as healthy if humans hadn't used technology and scientific methods over hundreds of years of selective breeding and cultivation, and the orchard would be fallow if workers hadn't been employed to tend it, and the juice would never have been delivered if there wasn't a processing plant with machinery to squeeze the juice into bottles.

In nature vs. technology narratives, 'nature' is largely conservative, and seeks to preserve a sense of past and tradition. It is unconcerned with moving forward, only that people have survived before with the old ways in the old environment. This is problematic because there has never been a 'golden age' in human history where tradition has served us well, no one has been oppressed, and we all worked in the goodness of the earth.

This is a migrant worker. He has to feed his whole family on the output of these cows and sheep. This is not a pastoral utopia, this is a peasant who will be stepped on and ignored by his largely feudal aristocracy.

Technology is framed as a more progressive approach, and sometimes also as greedy: seeking short-term gain in spite of long-term destruction of an older system. However, while it is true that western industrial complexes are largely to blame for the damage to Earth's environment, it is also impossible to solve those problems without technology and maintain a similar quality of life. As much as Simply Orange® brand juice seems to despise modernity, I don't see it complaining about the polio vaccine.

I think a good example of this trope that everybody probably knows comes from the ubiquitous Star Wars. At the end of Return of the Jedi, small, furry aliens called Ewoks were able to defeat the futuristic and militaristic forces of the Empire, with nothing but stone-age technology. Because they were good, and the evil Empire was, well, evil, they succeeded, and everyone celebrated thereafter.

No! My futuristic robot walker's only weakness! Big logs!

Nature vs. Technology has new, and startling implications in our modern world. We cannot afford to despise the industry and technology that has been western culture's handmaiden in changing our natural environment. Anti-science and regressive politics are at an all-time high. Now is not the time to erase labor for the sake of peddling 'green' products that really are just more commercial culture in disguise. We have a real problem on our hands, and technology and science are our greatest tools in solving it.

No Ewok, or spontaneously-squeezing orange juice, is going to be able to save us now.

More about → Nature vs. Technology: A Harmful Theme in Advertising

Link: Can Social Media Save NASA?

Selena Larson of ReadWrite made an interesting conclusion: For NASA's 55th anniversary on October 1, it got a government shutdown and completely frozen funding. 97% of its employees, many scientists and other highly educated professionals, have been furloughed. However, while Congress only has a 10 percent approval rating, NASA is much-beloved.

Third-party efforts seek to use social media to restore at least partial funding to its operations, and science-loving folks everywhere are down to do just that. This is a case where twitter gets political in a frustrating situation where it seems like ordinary people have no power to change things.

As if millions lots of voices employees suddenly cried out in terror, and were suddenly silenced

Especially young people. As an example, Larson reports on NASA's own social media strategies to build buzz. Invoking the name of a major celebrity popular with young girls had a dramatic effect:

One big push for NASA is to find ways to reach more young people to encourage an interest in science and technology. Twitter has been a successful platform for engaging a younger audience, including megastar Justin Bieber and his almost 45 million followers. After tweeting an invitation to help the young musician take his act into space, NASA saw a huge uptick in its follower count, including many female fans whom it might have struggled to reach through traditional means.

We all have something to say about Mr. Beiber, but his name and his media carry weight and they mean something enormous to people: people that NASA needs now more than ever. There are connections between the media that we love, media that we may consider less important than the likes of our space program, and how active we are in perceiving issues. 

More about → Link: Can Social Media Save NASA?

Link: While Superheroes Conquer Media, Comic Books Battle Stigma

This article by Melissa Rayworth of the Arkon Beacon Journal reports well on a very strange phenomenon: the mass-media bullies that once and still bully comics for being either too childish or too adult, too intellectual/nerdy or too uncultured, are cashing in on comic book idols. Meanwhile, comics themselves don't enjoy as much cultural uplift as the over $150 million gross of Marvel's The Avengers would suggest.

They've certainly cleaned up some, but it took way too long for Ant Man and Wasp to get a movie.

Rayworth quotes con-goers on their thoughts:

“If you tell somebody you read Captain America now, they know who you’re talking about,” said Sims, who blogs at websites including ComicsAlliance.com. “The characters’ being visible lessens the kind of stigma of reading comics, because people know those characters and have affection for them.”

But only to a point. Amanda Osman-Balzell is a married opera singer raising a toddler daughter while attending graduate school. When new friends visit her Tempe, Ariz., home, they raise eyebrows at her stash of comic books. 

“They see that we have comic books,” she said, “and they look at us like, ‘Really? You guys look so normal.’ ” 

She explains that many of today’s comic books boast intricate artwork and story lines far more complex and thought-provoking than their big-screen counterparts. But friends roll their eyes when she describes comics as “literature.”

There's no denying that comics have had a spotted past when it comes to integrity in storytelling. Any comic book fan can bemoan the ridiculousness of the Silver Age, and the un-needed darkening of beloved icons in recent decades.

And whatever this is. (Tarot/3 Kittens #74)

But is this really any worse or different than other forms of media? Surely written media has endured The Eye of Argon. Radio shows once were obligated to include advertisements in their actual fiction content (resulting in many a baffling radio drama about dish soap, for example). And is it any worse than television, with Toddlers and Tiaras?

Comics as a medium are older than television. And yet, television is now an ubiquitous part of our media culture. What's held comics back? Is it really the superheroes, when they score millions at the box office?

Or is it us?

More about → Link: While Superheroes Conquer Media, Comic Books Battle Stigma

Analysis of a Parthian Shot.

Is this now going to be a short series on feedback media? OK, I guess this is now a short series on feedback media.

A few days ago, I discussed how feedback can create a dialog between consumers and content producers. Then, I discussed how feedback can create a dialog between consumers and other consumers. Now, I guess I am going to talk a little bit about manifestations of feedback-based dialog in real life, and how it's part of a bigger issue.

If anybody here's brushed up on historical or period warfare, the Parthian Shot was a tactic used by ancient Parthian (which was a middle-eastern empire) mounted archers. They would retreat, or pretend to retreat, and fire arrows behind them; chasing troops would advance into the cover fire.

Old school drive ride-by.

The shot I want to look at today didn't happen in the first century AD, but on September 25, 2013, and it happened on the internet. Tech blogger Jessica Roy left the online tech journal BetaBeat, and left behind a list of all the things she's not going to miss.

The list boils down to, ultimately, 'sexism.' But there are some interesting elements to her strongly-worded displeasure. Some of the highlights worth mentioning:

8. The notion that being the slightest bit critical makes you a “hater,” and the idea that providing any kind of coverage that isn’t a big sloppy BJ shows a lack of “journalistic integrity.”

Here, Roy comments on the reception of criticism and the nature of feedback. Note the similarity to Carolyn Petit's predicament when she dared to give a popular video game a 9/10, and tell me that there isn't a pattern. What is it about this feedback culture that frames professional critics as a threat when they do their jobs and are critical of media?

Also, all those snotty mansplainers and people who called me a “cunt” for talking about women in tech, and anyone who tries to derail honest conversation about these issues by finding minor typos or formatting errors that they can use to discredit my entire perspective so that they don’t have to reflect on their own participation in a culture that so clearly devalues women’s beliefs.

We can probably assume safely that the audience giving Roy and Petit feedback is similar: men who object to the voice of a woman (and all that nasty 'perspective') in their domain of choice. But Roy isn't just talking about her experience, she is also speaking about the media she's tried to produce: it's a stone-cold fact that only a quarter of IT jobs are held by women, and that many graduates with tech degrees find they cannot be hired to apply them. The comment contributors Roy curses for dismissing her points and coverage also are dismissing reality, not merely a matter of opinion or a difference in personal worldview. And they do it on a micro-basis: in a comment box, over a misplaced comma or a typo.

It's ludicrous to think that a copy error means that a proven fact of the tech industry and the perspective of somebody actually there, are invalid. But I guess that's why Roy left.

This is a dialog where the comment box intersects the real world, and real world decisions to stay or leave employment. It's easy to dismiss the significance of a mob of anonymous strangers, but as micro-aggressions build up over time, the feedback culture has the power to override artistic integrity, stop other consumers in their tracks, and even deny reality.

More about → Analysis of a Parthian Shot.

Are Banned Books and Bad Science Connected?

According to Kevin C. Pyle  author of upcoming book Bad For You, an exploration of the 'war on fun', and Scott Cunningham: Yes. And they answer it with a comic.

The 'he' being Fredric Wertham, and the answer being 'no.'

In the wake of Banned Books Week, it's easy to ride the outrage at a seemingly over-protective and offensive decision to limit access to media. The inherent wrongness in shushing up Harry Potter and locking away Catcher in the Rye seems like a no-brainer.

Is it, though? What kind of thought (or lack of thought) went into this kind of conclusion? It's easy to dismiss it as merely a regressive political agenda, or the hysteria of an over-protective backlash to popular culture. The states with the most challenged books, Pennsylvania, Illinois, Wisconsin, Texas, and California all struggle with anti-science legislation and the push for creationism in classrooms, and book bannings are part of that anti-intellectual substitute-for-science culture. Texas needs no comment; it's host to the anti-science think tank the Institute for Creation Research,. California has a 'Creation Museum.' Pennsylvania was host to the first direct challenge to a school district that included Intelligent Design as a part of curriculum. Illinois and Wisconsin are battleground states for the issue.

But why might this be true? And what does keeping Fifty Shades of Grey off the shelves have anything to do with it?

The subject of the mini-presentation is comic books specifically, and the 'scientific' conclusion written about by Fredric Wertham’s Anti-comic manuscript Seduction of the Innocent, and its later influence on the formation of the restrictive Comics Code Authority. Pyle and Cunningham explain how Wertham's failure to adhere to the scientific method produced biased results, resulting in real-life media restrictions.

Incidentally, the method that Wertham used, is exactly the same method that some think tanks use when creating material supporting anti-science or otherwise restrictive material: starting with a conclusion, and then looking for evidence to 'support' it.

The same things that threaten science education and critical thinking in the USA are the same things that cause book bannings, 'violent video games' as a talking point, and general devaluing of otherwise very important media. These things are connected, and to let comic books slip by is what lets Intelligent Design stick its un-evolving foot in the door.

More about → Are Banned Books and Bad Science Connected?

Bill Nye the Real Fly Science Guy

I, like many others, have childhood television memories. Not to say I was parked on the couch often; I remember eating dinner (plain spaghetti, with Parmesan cheese) and watching Bill Nye the Science Guy on PBS.

BILL BILL BILL BILL BILL (inertia is a property of matter)

Educational television, I know — but I loved it, and so did thousands of other kids. William Sanford ('Bill') Nye's enthusiasm and excitement for science went hand-in-hand with my love for museums and my then-steadfast resolution to become a paleontologist. That last one didn't really work out in the long-run, but to this day I adore science and I suspect a vast fraction of young adults in STEM fields today have similar feelings.

This is why I was enchanted, and slightly baffled, when I saw Bill on Dancing with the Stars.

Pictured: Bill Nye dances the robot. What a time to be alive.

Bill Nye is not really who many of us think of as a celebrity. He's getting on in age, he's an educator, he ran a public television kids science show, he's a committee member for the Committee for Skeptical Inquiry, and a face of climate-change research efforts. But most of all, he's remembered for his kids' television show.

But he's also done battle with Fox News on the subject of climate change. He's used his star power to address creationism in schools and how anti-science sentiments might harm future generations. 

This is a great redefinition of what a celebrity is, and one I wish would happen more often. Without media that connected him to the public, Bill Nye would not be a celebrity. And he holds great meaning for the consumers he connected to, despite having no trappings of what society commonly considers as star material.

He is a population-picked celebrity. There's no agent doing publicity for him, or selling his image to magazines. He's not releasing singles, taking movie contracts, or advertising himself. And yet, everybody knows who he is, anyway, because we like him and we like to see him. He has meaning to us.

That's the power of media, I think, in its most base form. It doesn't just lift the stars above everybody else, it lifts people who would never have been stars into the sky, based on a television show that is barely considered important to popular culture.

But the consumers consider it important. And that's why Bill Nye isn't just dancing with the stars, he is a star.

More about → Bill Nye the Real Fly Science Guy

Link: Seven Things I Learned from Reading the Hobbit.

It's a geeky forecast, today.

The authors of the minimalist MS-Paint webcomic A Hard Hobbit to Break published a really great essay on the 7 largest themes in J. R. R. Tolkein's The Hobbit and how they can relate to our daily lives.

And it's not a surprise that they do. The Hobbit is high adventure, but it's also a story about a journey. Not a Hero's Journey-- that's about the adolescence and tribulations and personal growth of a hero character.

It's a story about having your life up-heaved to go on a trip that you're not sure will end well.

Plenty of us call ourselves some kind of profession, but don't feel qualified or were forced into it and now we just sort of play along... though with luck few of us are burglars.

Plenty of us have had to muddle through vast conflicts that don't even include us, and yet, we've had to make decisions that influence them.

 And plenty of us have happened across something totally by chance that's changed the entire game: sometimes, for the worse. Though hopefully none of my readers have found the One Ring.

Hopefully.

"G... Google! Blogspot!!

More about → Link: Seven Things I Learned from Reading the Hobbit.

Talk Nerdy to Me.

There's a fairly popular cultural meme that there isn't just a nerd, there is a super nerd, the one who knows Klingon and can speak it, too. Perish the thought of this being for squares only. Stephen Colbert can speak Quenya.

Here's a handy introduction to these 'constructed languages,' or 'conlangs.'

Pictured: People with lots of time on their hands.

An interesting note, though: the American public often finds other languages intimidating. Constant groans of 'when will <immigrant population of the decade> learn to speak English?' can almost be the cartoon of everyone's racist grandfather. Junot Díaz, author of titles such as The Brief Wondrous Life of Oscar Wao and This Is How You Lose Her has this to say on criticism of his works' inclusion of Spanish:

Motherfuckers will read a book that’s one-third Elvish, but put two sentences in Spanish and they [white people] think we’re taking over — Junot Díaz

Exoticism has gone hand-in-hand with foreign languages for English speakers for decades. We call French the language of love, but is 'omlette du fromage' any lovelier than its English counterpart? What is our (sometimes appropriative) fascination with the mystery and intrigue of other languages, and is it any wonder that such a passion translates into learning the tongues of peoples who never even existed?

These languages are often expanded greatly by an adoring audience, in an attempt to literally talk back to the source material in the languages it brought to life.

And, languages are also our way of connecting with other people. Just because a culture is fictional does not mean that one would never want to connect with that media, and the personalities within.

pedo mellon a minno

More about → Talk Nerdy to Me.